About E.A.S.T

East Anglian Stitch Textiles (E.A.S.T) was formed in 1995 in response to a demand for a self-supporting framework for textile artists in East Anglia, UK.


The membership of this group commenced with ten artists and now has fifteen.


Since it's inception E.A.S.T has had a close relationship with Braintree District Museum where it meets monthly and held the first E.A.S.T exhibition in 1997.The group continues to be mentored by Anthea Godfrey, Artistic Director of the Embroiderer's Guild.

Tuesday, 23 January 2018

Modigliani - more than just the nudes!

Modigliani – more than just the nudes!

Even though I am past counting candles on a birthday cake, I am not past “insisting” on an enjoyable day out to celebrate another year. I was sure the Modigliani exhibition would be an appropriate treat and I was not disappointed!

Modigliani is a complex character. Born in Italy to a Jewish family, he spent most of his working career in Paris, including the years of WW1. This and a prolonged childhood illness greatly influenced his art. At times during his life Modigliani’s art was scorned as unsophisticated and simplistic. Yet when you enter the first room of this exhibition, that opinion is completely overturned. The colour palette is both sensual and absorbing, the images distinctive and engaging.

Most people are familiar with the distinctive wide eyed, narrow - faced nudes that Modigliani perfected during his short turbulent lifetime, (he died aged 36).
However, like many artists, Modigliani went through various periods and changes. The work I was least expecting was a room of his hypnotic sculpture heads. Whilst living in Paris, Modigliani had an intense two-year period where he focused almost exclusively on sculpture (1911 – 1913). The figures are both beautiful and powerful, many resembling Caryatids (the classic female figure), which reputedly had a “religious” like meaning to Modigliani. African art played a huge influence on Modigliani and his fellow Paris contemporaries, such as Gaugin, Matisse and Picasso. Sculpture had been an early passion of his and it is unclear why he so abruptly abandoned this medium. Poor health is the most likely explanation plus a growing confidence in his 2D work.

By the time of his premature death, Modigliani was a confident portrait painter. However, like so many other renowned artists of the C20th he too is mostly preoccupied in capturing the “essence” of the person rather than tight representation or likeness of character. Modigliani sits securely in an extensive line of artists who have been interested in non-European sources, (e.g. African) that has inevitably extended and developed the western canon of art

At the end of this exhibition I felt privileged and grateful to have seen such an extended array of Modigliani’s work. It was both exciting and thought provoking particularly as Modigliani died so tragically. To leave such a legacy is awe inspiring and moving.

The exhibition continues until April 2nd, so you still have time to enjoy this “must see” exhibition at Tate Modern.


Melinda Berkovitz

Monday, 15 January 2018

New Year - new start


It was such a momentous occasion - all the EAST members, and Anthea,
 were all present at our January 2018 meeting - so we had to have a group photo.

(Back row) - Felicity, Lorna, Libby, Janette, Margaret, Julie, Jenny and newest member Kay
(Middle Row) - Ellen, Anthea, Carol and Melinda
(Front Row) - Liz, Susan and Tricia

We are also pleased to announce that we now have an Instagram account - so hopefully we will be able to share some of our work in progress.  You can also find us on Facebook - don't forget to "like" our page to keep up to date with exhibitions and events.



Thursday, 28 December 2017

Rainbow Squares

A couple of years ago I joined the newly re-formed branch of the Suffolk West Embroiderers’ Guild.  During this year (2017-18) the branch is running a project where each member embroiders a square in a specified colour - “Rainbow Squares”.  The colours progress in the same sequence as the rainbow so the first square was red.

I wasn’t very excited by the prospect of decorating a square with red stitches but I soon realised that I could make an eight square centimetre, four page booklet and attach that to an appropriately coloured square.  


I made the cover from torn scraps of fabric bonded to some felt, then integrated them with machine embroidery.  I covered this with a piece of muslin which I had coloured several years ago when EAST had a weekend with Ruth Issett.  I folded the cover in half, then added four pages inside which had a love poem, “Echo” by Carol Ann Duffy, embroidered on them.







The next square, for November, was to be orange.  I made a list of orange things - a colour, a drink, a fruit, a principality, a butterfly etc. - and embroidered these onto scraps of orange silk which I applied to a zig-zag book.  This I put inside a cover which had been made as before except with scraps of orange fabric.




 


The December square was yellow.  I didn’t realise until I began to sew what a difficult colour yellow is to work with and how few fabrics and threads I owned in that colour.  Nevertheless, I had decided that the book was to have images of shells inside so I raided my supplies.






The square to make for January is green so, hopefully, I will have more items to play with and the book will probably contain leaves - unless I get any better ideas.

I wish you all a very happy, healthy and productive 2018.

Susan




Friday, 8 December 2017

In May I posted pictures on our trip to Morocco and samples and ideas for a textile piece based on the wonderful Islamic tiles there. I was experimenting with natural pigments that can be found in the souks in Marrakesh.
So after 6 months I have finally finished two pieces of work block printed with natural pigments and then stitched in places... I wanted to suggest a gradual disintegrating of these ancient patterns.  The top piece is almost twice the size of the second.


This one is a detail.

Tuesday, 5 December 2017

A WW1 Christmas - 4th Dec 2017 to 6 January 2018

Producing work for an EAST exhibition is not just about research, trials and samples, making the item and putting it on display.  Sometimes the work can have a life after the last exhibition is packed away.  I find it particularly gratifying to hear that something EAST created has become the inspiration for someone else.  For the work made for Between the Lines it is particularly pleasing to hear that the research itself continues to be useful.



This has been the case with regard to the information sheet I produced on the Lady Smith-Dorrien's Hospital Bag Fund.  I had used this to make my work, shown above when the exhibition visited Landmark Arts Centre, Teddington.  Now the research is going to be part of a museum display.

From 4th December this year, and for six weeks only, Bath Medical Museum will be recreating a WWI war hospital - looking at how the inpatients (soldiers) were 'entertained' over the Christmas period.  Instead of focusing on the grimmer aspects of war the exhibition will use anecdotal stories on the themes of food, entertainment, gifts, decorations, celebrations, etc.  They will look at how local people provided plum puddings, knitted goods and filling crackers.

In addition, on the opening day (6.12.17) there will be a lecture by Dr Roger Rolls on the history of the Bath Mineral Hospital during the war.  The exhibition continues until 6 January 2018.

For more information visit the Bath Hospital Museum website.  Please note that the museum, which is run entirely by volunteers is open Mondays to Wednesdays (2pm to 4pm) and Fridays (10am to 12 noon).

More information about Lady Smith-Dorrien's Hospital Bag Fund can be found by following the link from my page - HERE.

Tuesday, 7 November 2017

Another View posted by Lorna Rand

At the end of October I went to London to see the Prism exhibition ‘Another View’ this was first shown at the RSBA in Birmingham then in London at Hoxton Arches.

This was a very interesting exhibition as usual, many members of Prism took part exploring "different ways of looking, seeing and understanding; a chance to visualise the complexities and possibilities of people, places, events and the world we live in".  It was very interesting to see how members had interpreted their ideas from the title into textile.

I thought Jo Coombes' work was really outstanding exploring human motives, both for individuals and nation states when values diverge and beliefs become irreconcilable.  I was also drawn to Dee Thomas’s ‘Underfoot, showing the many small items on a beach which are trampled underfoot when out walking.  Paulene Cattle’s work which showed, in black and red felt pieces, her impression of an unused and dilapidated post box.  Dorothy Tucker’s mixed media landscapes showed a lovely mix of digital printing, paint and stitch while Jackie Langfeld’s decorated teaspoons were a delight.


Many pieces showed a wonderful interpretation of ideas, others were beautifully worked, so in all a great exhibition that was well worth the trek up to London.


Above image is of Jo Coombs' piece


Above image is of Dee Thomas' piece


Above image is of Paulene Cattle's pieces

Ten 2 One - 25 Nov 2017 to 3 Feb 2018


EASTie, Tricia North is part of this exhibition which will be on display at the Beecroft Art Gallery, Victoria Avenue, Southend on Sea, SS2 6EX from November this year until February next.  

TOMA stands for "The Other MA" and is an alternative education method at the level of a masters' degree.  It was devised by Emma Edmonson, working in partnership with Metal Art School at Southend on Sea.  Artists from a variety of disciplines will be displaying their work -a mixture of sculpture, ceramics, photography and paint; a result of their twelve months' of study.   It is sure to be an interesting and thought provoking exhibition.